Winter is icumen in,
Lhude sing Goddamm,
Raineth drop and staineth slop,
And how the wind doth ramm!
— Ezra Pound (1885-1972)
Been Around the Block. Got Some Stories. These are Them.
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Winter is icumen in,
Lhude sing Goddamm,
Raineth drop and staineth slop,
And how the wind doth ramm!
— Ezra Pound (1885-1972)
by bloggard // 4 Comments
When my mother told me this story it touched my heart, because in a way, it was part of who she was for the rest of her life …
Henrietta, Texas, Summer 1922: My mother, Margaret Hurn, known as Maggie, was six years old, and very excited that Saturday. For the first time, riding down the dirt road in the wagon with her mother and father, Maggie was going to town.
She had a nickel in her hand. She held it tight.
Eight miles seems so little now, for any car can cruise the paved road in just a few minutes. But on that day, on the dirt road in the wagon behind the horse, it took several hours, with the sun high above and dust rising to float in the air behind them, and she was holding that nickel all the way.
She had a plan.
Tutti-Fruity ice cream. That was the plan. A nickel would buy a big double-dip ice-cream cone at the Henrietta drugstore. The soda fountain there had a marble top, and fancy stools that spun around with shiny red seats. Behind the counter, lined up before the huge mirror, was a shelf of colored bottles. Every kind of delight, in town, right there at the soda fountain.
Maggie wanted Tutti-Fruity.
She was shy about going in, but her father said, “Go on,” and gave her a nudge, so she edged slowly through the door. Instantly dismayed because everything was so fancy, she waited, holding her nickel, and before long, the big man behind the counter noticed her and leaned over.
“What would you like, little girl?” he said. Perhaps a bit deaf, he spoke loudly, and it startled Maggie. She cast her eyes down.
“Tutti-Fruity,” she said softly.
“What’s that?” he said. “What would you like?” Maggie felt suddenly dismayed, embarrassed, as if scolded.
“Tutti-Fruity,” she said softly.
“I can’t hear you!” the man said loudly, “What do you want?” A well of tears blurred her vision.
“Tutti-Fruity,” she whispered.
“What?!!” he demanded. “Speak up!”
But now it was too late. Confused, ashamed, she ran crying from the store.
All the way home, on the long journey up the dirt road as the late shadows grew longer across the road, sitting in the wagon, she held the nickel in her hand.
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San Anselmo, August 29 2003: My son-in-law Joe is huge, with a shaved head and a little tail of hair. When Adrienne first saw him, she was aghast at her daughter Celina’s choice. But Adrienne has long since come around. Joe is great.And Joe is massively strong, so I am again delighted to have him helping me to pack the Big Yellow Truck. This will be our second and final trip, hauling home, office, shop, and warehouse to Mount Shasta, our new home as of next week. Like gypsies? Well, perhaps a bit more stuff.
Nearly everything except the beds and the shop tools is packed up in boxes. We’ve got dollys. We’ve got those coarse grey blankets to protect things, and plenty of bright yellow nylon rope. We’ve got a system of dots: Red means storage, green means shop, yellow means house. I tell you we are organized!
And by the end of the day, plenty tired. Ah, the joys of moving day!
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Although I don’t now recall much about the conference, I sharply remember the morning after. On my way to breakfast, I learned that Miles Davis had died. The newspaper didn’t say why; later reports said pneumonia and a stroke. At the time, I assumed drugs.
Miles had called me one night.
Years before in 1969, at 3 am in Beverly Hills, all was quiet in the lobby of the Bevery Rodeo Hyatt House, where I was the night auditor. Miles’ wife — whom I was sure was the woman pictured on the cover of his ‘Porgy and Bess’ album — was staying in the hotel, and the night bellman was complaining that she kept calling him, wanting this, wanting that, fussing, acting oddly, he said.
When the switchboard rang, I answered and it was Miles.
Gravelly-voiced, he asked my name. He knew the hotel well. He frequently stayed there. I’d not seen him, but our highly-crispy morning bellman Roger, had reported in detail their many arguments. Roger, a young and zippy white kid with a full head of steam and vast assurance, was certain that white basketball players were clearly superior. Miles, never known for tact or modesty, was certain that black basketball players were superior.
I’m glad I wasn’t there and was never asked, for I knew nothing about basketball. Disappinted though that I’d not met Miles, for I’d been a fan ever since my friend Lefevre gave me that Porgy and Bess album as a birthday present during high school years. I’d played it over and over in the basement of our home.
In this basement, I’d painted three walls pale blue and one wall burnt orange, and with an intricate speaker-cabinet planned from Mechanics Illustrated and with materials salvaged from my award-winning and bogus science fair exhibit, the sound was magnificent in this basement, with Miles’ pinched tone sounding now and again in little short phrases.
Jerry described that sound as playing through fishnets, but that wasn’t it. I’ve heard that once Miles was asked why he liked the trumpet; he said that it sounded like the human voice. But that wasn’t what it sounded like, either. What it sounded like, was Miles.
So. Beverly Hills at 3 am, and the switchboard rings, and Miles’ gravel-voice asks my name. My name was then Richard, and I told him.
“Richard,” he said. “My wife’s there.” I agreed; she was. In room such-a-number. He thought a while.
“She’s upset,” he said. I agreed; she was. About something. Or about nothing. Who knows? We didn’t know. “She’s upset,” he said. “See if you can’t calm her down, OK?”
How the hell was I supposed to do that? Or, expressed differently, what would be the best approach for a 24-year-old white boy with acne, completely inept with women, an employee of the hotel, to deal with a lushiously beautiful black woman possibly strung-out and cranky on drugs in one of our rooms, to calm her down as a favor to the most famous horn player in the world, calling in from New York?
“Gee, Mr. Davis,” I stuttered, “I don’t know what to do.” He brushed my objection aside.
“Just talk to her,” he said. “Calm her down, OK? Just try, OK?”
OK, I said. I did call her, and asked if everything was OK. She told me off, and then, apparently, everybody was happy.
And now, years later, standing shocked and blocking the line to the breakfast buffet in this Burbank hotel, I read that Miles is dead. He’s gone. I don’t know the guy, but it hurt.
Why did it hit me so?
Recently, Johnny Cash died. It seemed like a part of my life had gone. Adrienne had rushed into my Mount Shasta office to tell me; she’d heard it on the radio. The next day, we were talking about trains, and she asked me what was the Johnny Cash song about the train. “Folson Prison Blues,” I told her, and started to sing the first verse. She burst into tears.
“Don’t!” she said. “Don’t, please.”
Why does it hit us so?
I think it’s this. Most of us have heard a trumpet. But we’d never heard that trumpet. Most of us have heard a freight train. But maybe we’d never fully heard the lonliness in that late-night whistle. In songs, the singer brings us something, and it becomes a part of our lives.
Miles gave us a trumpet, and a sound. Johnny Cash gave us freight trains.
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As a child, one plays.
As a youth, one studies.
As a young man, you join the army.
As a grown man, you engage in commerce.
As an established man, you marry.
As a married man, you raise children.
As an older man, you retire and engage in community service.
This seems like a pretty good plan to me.
Every part of a person is represented in this scheme. For example, in the army you learn important basics of operating your body, being orderly, operating in teams, focusing on tasks, and keeping your head when all about you …
Just about everything you’d like to do in your life is represented in this scheme: Study, adventure, romance, family life, and let us not forget loafing and playing.
If this scheme were widespread, the culture would at any one time have plenty of play, study, adventure, business, romance, family life, and wisdom. Because there would be citizens in every one of these categories.
A culture can become unbalanced. North Korea has way too much army, and so they suffer the financial drain. They could use their army to provide other functions, but then they wouldn’t really be army, would they?
Our own culture probably has far too little army. I never served. At the time, our nation was sending us off to be killed in Viet Nam. This did not seem the path of wisdom to me at the time.
However, it means I missed a special part of life. And I think our culture shows the general lack of the learning that comes from the army. Sure, we can laugh about some of the clumsy ways the army can operate. But in college, I noticed that my student friends who were ex-army, ex-navy, ex-marine were some of the most focussed students. Their heads were on straight. More than I could say for myself and lotso my friends.
What do you think. Is the Chinese Ages of Man concept a good one?
(No cussing, please.)
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San Rafael, Summer 1996: Although the plan bombed later, I wanted to own my own home, and having very little money, decided to start with a houseboat or a house-trailer.
Sausalito has lots of houseboats, but frankly the mud beneath the dock stinks real bad at low tide, so yuck!
Marin County
Marin county, the most expensive real estate in California, so why was I living there? The answer: careful lack of planning. I’d developed my business in San Francisco, then moved across the bridge to Marin because Adrienne hated the Haight; too noisy, she said. When paying rent, $1400 in Sausalito was about the same as $1400 in San Francisco. But buying a house was out of the question, in these latitudes.
So why not start with a mini-house, save up more money, then parlay up to a small fixer-upper, then up to better?
Marin land values are high, so there are only four trailer parks: One in Olema (too far), one off Highway 101 (nothing available), one near the bay (that mud aroma again), and one in San Rafael, where I found the house-trailer that Waneta was selling.
While living here, I produced the MultiString Shopper. With a classified ad in Bass Player magazine, I offered to buy and sell used Stick brand musical instruments, because there was previously no existing market for used instruments. I made a pretty layout, and forced a free lesson onto one page, and on the reverse listed the instruments for sale. Popular with musicians, and most unpopular with Stick Enterprises, the company selling new Stick brand instruments. But that’s another story.
Meanwhile, the trailer was comfy enough in the winter, but on summer afternoons it was like sitting inside a waffle iron, so I started engineering. First I built a wooden framework with two arms between which I stretched a tarpaulin. This arrangement provided a kind of parasol for the trailer during the hot afternoons.
I Decided to Try Water Cooling
Next, I decided to try water cooling, so I bought a hose and a water-sprinkler and rigged it up on the roof. When I turned it on, it created a nice cool mist, and a big circle of coolth. It did sprinkle on the road, so all the cars passing got wet, but you can’t make an omelette without breaking a few dishes, you know?
And so it was that, as I was up on the ladder, attempting to adjust the sprinkler system to act more refined, that I looked over the top of the trailer and could see Tom, the rugged contractor-type guy who ran the trailer park. He was standing in the middle of the road, legs wide, arms crossed over his chest, wearing a plaid short-sleeved shirt and his usual crew cut.
He was shaking his head in wonderment.
Our eyes met, across the top of the trailer. An irate expression crossed his face. He said, “What the hell do you think you’re doing?”
It was then that I realized that I was a wacko.
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Highway Five, August 30 2003: Today I am driving north in the Big Yellow Truck. Arriving in Mount Shasta, we will be unloading the Big Yellow Truck. Tonight perhaps we will dine at Casa Ramos. We will order beer. Last time, son-in-law Joe, age 36, was carded by the waiter. Ha ha ha ha ha! And that’s the news.
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The rodeo office at the Pioneer Grounds opens at 9 a.m. Box seat ticket holders may pick up their tickets or call the office for delivery at (940) 538-5111. Rodeo will feature bull and bronc riding, calf roping, bulldogging, clowns, a greased pig contest, ladies fancy riding, music and comedy. A dance will follow the festivities.
Riders who plan to participate in the Pioneer Rodeo grand entries or parades need to have up-to-date Coggins test papers on their horses.
Float building has been under way for several weeks at the Pioneer Hall. To register float themes, call Sherri Halsell at the Clay County extension office at (940) 538-5042. After the parades on Saturday and Sunday morning, stick around for the fiddling contest and art show on the courthouse grounds.
The theme for this year’s float parades is “Pick 3, Any 3, in 2003.” The annual reunion gets under way with the cowboy kickoff parade Sept. 18 and continues through Sept. 20.
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