Ram Das
Midwestern University, Wichita Falls Texas, 1965: Actually, not Ram Das. Rather, it was Richard Alpert.
I’d ransacked the North Texas State library stacks, reading up about this LSD that was making news. Harvard researchers Leary and Alpert were urging “Tune In, Turn On, Drop Out!,” and what in the world did that mean?
The psych abstracts were puzzling, describing synaesthesia, n., which means (1) “A condition where one type of stimulation evokes the sensation of another, as when the hearing of a sound produces the visualization of a color.” Or (2) “A song by Cannonball Adderly.”
Hearing a color? The smell of a picture? The feeling of a sound? Huh?
So when Richard Alpert was speaking, over at Midwestern University, I was ready to go hear it. And so was Kit Thorne.
Little did I know that the somewhat similar Anhalonium Lewinii (peyote) had been known back to the turn of the Century (that earlier one, in 1899) to worthies such as Aleister Crowley. If only I’d studied my Magick, I could have known so much more! But then, we didn’t know that Magick was abounding about us, no, not at that time.
At that time, I didn’t know that Richard Alpert would become Ram Das, that he would live up the street from me in San Anselmo 30 years later, and that even being neighbors I’d never see him again. We didn’t know that Leary would be jailed, and would then escape by levitation. Actually, there was a whole world of what we didn’t know, back in the time of my corduroy coat.
Kit was a pretty brunette, of vivacious enthusiasm, girlfriend of my sour pal, John Mahoney, the photographer who contributed the picture for my story Ralph the Cat in the Avesta magazine. But John couldn’t go, don’t recall why, though sitting in the booth at the Hob Nob, Kit begged to go, and so go she did.
When my stepfather, Dr. Strickland, heard of the venture, to my vast surprise, he decided to go as well. Either he was secretly hipper than I knew, or just palling along with me, or … well, I just don’t know what, but he and my mother and Kit and I showed up at Midwestern Auditorium on the appointed day.
The speaker was late.
On the drive up, Kit had told me of haunted adventures, overruled with sudden tears from nowhere, voices heard, ghosts seen. It fit. And it was beyond me. It seemed very dark. And years later, as the ghosts decreed, she became lost into a darkness, gone. But back then, we knew nothing, and I was half in love with Kit, just because of who she seemed and how she looked. I watched her secretly, while we waited for Alpert.
Finally, he was announced, and walked up to the podium.
Standing there, he paused for a moment.
Actually, kind of a long moment. Well, truly for more than just a moment. He stood, looking into space above the head of the audience, for a long time. A very long time. A really, really long time. It was a long time. A very really long time. Long time. Then he smiled.
“Hello,” he said. And went on to speak about LSD and the fact is I remember not one thing from that talk, but only what came after. When the talk was done, and others filing out, Kit said, “Let’s go meet him!”
Well, OK!
Up we trooped onto the stage, Dr. Strickland bringing up the rear, and Richard Alpert turned his open, Indian eyes upon us. Kit smiled up at him.
“I just wanted to show you this,” she said, holding out her hand. On the middle finger of her beautiful soft hand was a delicate ring with a tiny silver globe of fine filagree, in which tiny silver moving parts made a fine, crystaline tinkling sound.
Alpert watched the ring for a long moment, his grin growing wider as he watched. Then he reached into his pocket, drew out his closed fist.
“And I’d like to show you … this,” he said, opening his hand. And there, sitting upright upon his palm, a tiny jade buddha gazed into the vast beyond in rapt contemplation.
As I recall, my stepfather asked some questions, but I don’t know how much communication there was. As it turned out, I discovered later that my friend Lefevre, then studying art at Midwestern, had become involved in Richard Alpert’s arrival, and had whisked Alpert away to Jerry’s house, where they spent the afternoon wandering the background, watching the bark on trees for a very long time, and considering this new LSD that was in the news. Lefevre had not attended the talk; he’d stayed home to examine the tree bark in greater detail, as he explained later.
I suppose Kit and I made our way back to our homes in Denton. This must be the case. Otherwise we’d still be standing there, on the stage, in the Midwestern Auditorium.
That’s just logic, right?
On This Day: Welcome, Mayflower!
Yoohooo! Settlers! Ahoy, maties! Yoohoo!
The Texas-Oklahoma Game
This year the teams were neck and neck, and the final game was held in Dallas. I drove down from Denton with my girlfriend Carolyn to spend the evening with Dr. Martin and his family for the big game.
The Fairmont Hotel is old and snooty, so that’s where they stayed. I’m lukewarm on sports, but I was looking forward to a great meal in the hotel restaurant.
We started down in the elevator.
Everyone in the elevator, honest Texans all, were all a-jabber with excitement about the game. The elevator kept stopping at floors, adding more people going down to the restaurants, looking forward to the game.
The elevator was growing packed. Folks became quieter.
The doors opened on floor three.
A very tall brunette, very stylish in a black and white dress and rather a large hat stood at the door. Pinned to her bodice was a cardboard sign.
It said, “To HELL with Texas.”
Nobody said a word, just soberly watched her. She seemed to shake herself slightly, then stepped into the elevator, and turned to face the door.
Just as the doors closed with a soft thump, from the rear of the car, a man spoke up in a friendly voice.
“Hiya, Oakie,” he said.
Money and the Gubbamint
Never happen. That’s now how we operate. Here’s how it works …
A politician wants to get elected, so he promises stuff. Over time this tends to make us somewhat socialist, because he’s got to promise the stuff to somebody, and in appealing to voters, most of them want free stuff, so over time politicians promise free stuff for people, making us more socialist.
The politician gets elected, and in order to stay around for the second show, he attempts to give some of the stuff he promised to the people he promised it to. Whenever he is successful at giving some stuff to these people, it’s got to be paid for.
Taxes pay for the stuff the politician has promised and in fact delivered. Since taxes aren’t fun, then it’s not long before some politician, needing to promise stuff, promises to lower the taxes.
If the politician gets elected, in order to stay around for the second show, he may attempt to give the lower taxes as he promised. If he’s successful, now the lower taxes don’t pay for all the free stuff that’s now being delivered.
And the cycle goes on and on. The free stuff being given to some people, and the lowered tax rates being given to some people are in endless conflict, and the budget will never be balanced. We will always be a debtor nation, as collectively stupid as the fellow who’s paying his rent on credit cards.
Why are we a nation of credit junkies? It’s a consequence of our system. Our system relies upon a promise against the future. We are always borrowing from the future to get free stuff now. Sounds like a credit card. Looks like a credit card. I say it’s a credit card!
Of course, the gubbament has another trick up its sleeve. It prints more money. Who gets the money it prints? I haven’t got any. Have you? No, I think the gubbament uses the money it prints to pay for free stuff for some people.
In a company issuing stock, if the company issues more stock, then the shares you’re holding have got to be worth less. So it is with the gubbament. When they print more money, which *they* use, then the money you’re holding is worth less.
In this way, the gubbament can tax *more* without appearing to do so. They don’t need to *take* your dollars; your dollars just became worth less. That’s called inflation. It’s probably like blowing up one of those girly dolls.
And on and on it goes. Kinda funny, innit?
The Lottery Winner
They ask him what he is going to do with all the money.
“Well,” he said, “I guess the first thing I’ll do is go and pay a few bills.”
“And what about the rest?” the reporter asks.
The lucky winner shrugs. “Well, I guess they’ll just have to wait.”
On This Day: The UFO and Kafka
London, November 17, 1988: The original manuscript of the classic novel, The Trial (1925), by Franz Kafka, sold today at Sotheby’s for 1 million, a world record for a modern literary text. Kafka had died from tuberculosis in 1924, having published almost nothing in his lifetime. He wrote most of these stories and novels while holding down a day job at the post office.
Although many literary critics have found deep allegorical meaning in these works, the rumor is that Franz and his brother used to read them aloud, and fall about on the floor, laughing. We are quite possibly indebted to Franz Kafka for the handy abbreviation “ROFLMAO”, which means “Rolling On Floor, Laughing My A** Off.” Thank you, Franz.
Searching for Meadow Hearth
On the far side of the clearing was the stage, with mirrors and exercise bars extending back into the room behind. The woman who ran it hauled the backdrops up from New York city. An artsy-type, wearing dance clothes and a headband.
There the little girls learned to dance. Toward the end of the long summer, a recital, and in the twilight, with the meadow filled with parents and friends, and fireflies flickering through the dark beneath the trees, the girls danced and presented their play.
Does the dance ever end?
Fifteen years ago, Adrienne told me this story, describing how magical the place was, how she sometimes seemed to see glimmering fairies brushing through the leaves, how the light was golden and the music floating across the meadow.
Ten years ago, when I came to see the house she’d rented for herself and her daughter Layla, I noticed the small sign of carved wood. Secured to a metal upright, it stood in a corner of her garden. “Meadow Hearth” it said.
And did the home become Meadow Hearth? Adrienne worked so hard, year after year, planting the bright flowers, fixing up the house. The landlords couldn’t have cared less. I moved in; her daughter moved out. There were ups and downs and a neighbor on the sun side proposing a construction project. It came time to move away.
In our new home in Mount Shasta, I notice in a corner of the garden, a small sign of carved wood. A bit more weathered now, but still proclaiming “Meadow Hearth”.
Are we in Meadow Hearth?
My personal belief is no, we’re not. I think perhaps Meadow Hearth is far away, further than miles, further than rivers, further than roads. There at the far side of memory, Meadow Hearth remains, bright, perfect, shining, as once upon a time.
But the dance goes on.
- « Previous Page
- 1
- …
- 20
- 21
- 22
- 23
- 24
- …
- 55
- Next Page »